Introit and Communion verses are build around a RECITATION tone, an INTONATION (repeated with a light variation), a MEDIATION, and a TERMINATION (ignore the “Flex” for now):

RECITATION (here we use the 220 Hertz frequency for our “FA” Recitation note):

INTONATION:

MEDIATION:

SECOND INTONATION:

TERMINATION:

Hear below the how the “Gloria Patri” sounds as we put Intonation, Recitation, Mediation and Termination together:

Recitation at approximately 220 hz (A3):

Transposed (different recitation tone):

Click to go to: Psalm Tones main page, First tone, Third tone, Fourth tone, Fifth tone, Sixth tone, Seventh tone, Eighth tone.

IN THE BENEDICTINE PSALTER (SOLESMES MONASTERY) :

USING PSALM TONE 2 WITH THE “ROSSINI PROPER”

Download example of Rossini Proper in second tone (Introit antiphons from Epiphany to Septuagesima): rossini p7 Introit EP to SEPT

Listen to Rossini Introit antiphon for the 3rd Sunday after Epiphany.

OTHER EXAMPLES OF USE OF PSALM TONE 2 AT MASS:

FATHER WEBER’S “PROPER OF THE MASS”: ANTIPHON WITH VERSE IN PSALM TONE

ARISTOTLE ESGUERRA’S RESPONSORIAL: ANTIPHON WITH VERSE IN (SIMPLIFIED) PSALM TONE: