Introit and Communion verses are build around a RECITATION tone, an INTONATION (repeated with a slight variation), a MEDIATION, and a TERMINATION (ignore the “Flex” for now):

RECITATION (here we use the 220 Hertz frequency for our “LA” Recitation note):
INTONATION:
MEDIATION:
SECOND INTONATION:
TERMINATION:
Hear below the how the “Gloria Patri” sounds as we put Intonation, Recitation, Mediation and Termination together:

Recitation at approximately 220 hz (A3):
Transposed (different recitation tone):
With alternate termination 1 (“E u o u a e” stands for “…saeculorum. Amen.”)
With alternate termination 2 (“E u o u a e” stands for “…saeculorum. Amen.”)
Click to go to: Psalm Tones main page, Second tone, Third tone, Fourth tone, Fifth tone, Sixth tone, Seventh tone, Eighth tone.
IN THE BENEDICTINE PSALTER (SOLESMES MONASTERY):

OTHER EXAMPLES OF USE OF PSALM TONE 1 AT MASS:
ROSSINI PROPER OF THE MASS:


