Mode II

Introit and Communion verses are build around a RECITATION tone, an INTONATION (repeated with a light variation), a MEDIATION, and a TERMINATION (ignore the “Flex” for now):

Mode 2 Recit-Inton-Medi-TerminationRECITATION (here we use the 220 Hertz frequency for our “FA” Recitation note):

INTONATION:

MEDIATION:

SECOND INTONATION:

TERMINATION:

Hear below the how the “Gloria Patri” sounds as we put Intonation, Recitation, Mediation and Termination together:

Gloria Patri Mode 2

Recitation at approximately 220 hz (A3):

Transposed (different recitation tone):

Click to go to: Psalm Tones main pageFirst toneThird toneFourth toneFifth toneSixth toneSeventh toneEighth tone.

 

USING PSALM TONE 2 WITH THE “ROSSINI PROPER”

Download example of Rossini Proper in second tone (Introit antiphons from Epiphany to Septuagesima): rossini p7 Introit EP to SEPT

Listen to Rossini Introit antiphon for the 3rd Sunday after Epiphany.

 

OTHER EXAMPLES OF USE OF PSALM TONE 2 AT MASS:

FATHER WEBER’S “PROPER OF THE MASS”: ANTIPHON WITH VERSE IN PSALM TONE

PW1674 Communion OT32C

PW1676 CommVerse OT32

 

ARISTOTLE ESGUERRA’S RESPONSORIAL: ANTIPHON WITH VERSE IN (SIMPLIFIED) PSALM TONE:

OT23C respons ENG

 

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