Introit and Communion verses are build around a RECITATION tone, an INTONATION (repeated with a light variation), a MEDIATION, and a TERMINATION (ignore the “Flex” for now):

RECITATION (here we use the 220 Hertz frequency for our “LA” Recitation note):

INTONATION:

MEDIATION:

SECOND INTONATION:

TERMINATION:

Hear below the how the “Gloria Patri” sounds as we put Intonation, Recitation, Mediation and Termination together:

Recitation at approximately 220 hz (A3):

Transposed (different recitation tone):

With alternate termination (“E u o u a e” stands for “…saeculorum. Amen.”)

Click to go to: Psalm Tones main page, First tone,  Second tone, Third tone, Fifth tone, Sixth tone, Seventh tone, Eighth tone.

IN THE BENEDICTINE PSALTER (SOLEMNES MONASTERY) :

USING PSALM TONE 4 WITH THE “ROSSINI PROPER”

Download example of Rossini Proper in fourth tone (Graduals and Alleluias from Epiphany to Septuagesima): rossini p8 Grad-All EP to SEPT

Listen to Rossini Gradual-Alleluia for the 3rd Sunday after Epiphany.

OTHER EXAMPLES OF USE OF PSALM TONE 4 AT MASS: