Introit and Communion verses are build around a RECITATION tone, an INTONATION (repeated with a slight variation), a MEDIATION, and a TERMINATION (ignore the “Flex” for now):
RECITATION (here we use the 220 Hertz frequency for our “RÉ” Recitation note):
Hear below the how the “Gloria Patri” sounds as we put Intonation, Recitation, Mediation and Termination together:
Recitation at approximately 220 hz (A3):
Click to go to: Psalm Tones main page, First tone, Second tone, Third tone, Fourth tone, Fifth tone, Sixth tone, Eighth tone.
IN THE BENEDICTINE PSALTER (SOLEMNES MONASTERY):
USING PSALM TONE 7 WITH THE “ROSSINI PROPER”
Download example of Rossini Proper in seventh tone (Offertory antiphons from Epiphany to Septuagesima): rossini p9 off-com EP to SEPT
Listen to Rossini Offertory antiphon for the 3rd Sunday after Epiphany.
OTHER EXAMPLES OF USE OF PSALM TONE 7 AT MASS:
EXAMPLE OF A SIMPLIFIED MODE 7 TONE USED FOR THE VERSE OF THE RESPONSORIAL PSALM: