Introit and Communion verses are build around a RECITATION tone, an INTONATION (repeated with a slight variation), a MEDIATION, and a TERMINATION (ignore the “Flex” for now):

RECITATION (here we use the 220 Hertz frequency for our “RÉ” Recitation note):

INTONATION:

MEDIATION:

SECOND INTONATION:

TERMINATION:

Hear below the how the “Gloria Patri” sounds as we put Intonation, Recitation, Mediation and Termination together:

Recitation at approximately 220 hz (A3):

Click to go to: Psalm Tones main page, First tone,  Second tone, Third tone, Fourth tone, Fifth tone, Sixth tone, Eighth tone.

IN THE BENEDICTINE PSALTER (SOLEMNES MONASTERY):

USING PSALM TONE 7 WITH THE “ROSSINI PROPER”

Download example of Rossini Proper in seventh tone (Offertory antiphons from Epiphany to Septuagesima): rossini p9 off-com EP to SEPT

Listen to Rossini Offertory antiphon for the 3rd Sunday after Epiphany.

OTHER EXAMPLES OF USE OF PSALM TONE 7 AT MASS:

 

EXAMPLE OF A SIMPLIFIED MODE 7 TONE USED FOR THE VERSE OF THE RESPONSORIAL PSALM: